However, it’s worth noting that the minimum cost is not literally $3, since you have to spend at least $300 at a time on Flex tokens, and they don’t roll over from year to year. It also makes it possible for artists who use Maya infrequently to rent its core tools on a per-day basis. Since that scales to roughly $90/month or $1,095/year, that’s significantly lower than the cost of a full Maya subscription, which is currently $225/month or $1,785/year. It uses one token per day, as opposed to six per day for Maya itself, which works out at $3/day. Unlike the full version of the software, Maya Creative isn’t available on subscription, only through Flex, the token-based pay-as-you-go pricing system that Autodesk introduced last year. However, aside from a few smaller features like Paint Effects and the toon shader, it has all of Maya’s key modelling, rigging, animation, rendering and motion graphics tools, plus USD support and Python scripting. It is available for Windows and macOS only – unlike the full version of Maya, there is no Linux edition.
In addition, it cannot load third-party plugins, including Substance in Maya and Unreal Engine Live Link, and lacks SDK support for authoring custom plugins. It can load effects created with the Bifrost simulation framework, but not author them, and lacks Maya’s soft and rigid body dynamics, cloth and hair toolsets, including XGen. Like Maya Complete before it, Maya Creative is a cut-down edition aimed at 3D modelling and animation, and lacks the simulation capabilities of the full version of the software. What are the differences between Maya Creative and Maya?įor older readers, the announcement will bring back memories of Maya Complete and Maya Ultimate, the two editions of the software that Autodesk offered during the early 2000s. The new edition, which lacks simulation tools and the ability to load third-party plugins, is available via Autodesk’s Flex pay-as-you-go platform, and costs $3/day. Autodesk has launched Maya Creative, a cut-down edition of its Maya 3D animation software intended to “ the barrier to entry for artists at smaller facilities”.
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